October 20, 2020

Criticism of unpaid practices at the Goya gala | Culture

Criticism of unpaid practices at the Goya gala | Culture



The Association of the Press of Seville and Comisiones Obreras have criticized the offer of unpaid internships for students of Communication, Protocol and Organization of Events during the 33rd gala of the Goya Awards, which is celebrated on February 2 in the Andalusian capital.

The practices have been convened through the San Isidoro University Center, attached to the Pablo de Olavide University in Seville and addressed by ISEMCO, an institution of higher education specializing in the organization of events, audiovisual and communication that collaborates with the Rey Juan Carlos University of Madrid. ISEMCO has been collaborating with the Academy of Arts and Cinematographic Sciences of Spain, that always organizes the gala of the Goya in Madrid except in the year 2000, when it was in Barcelona, ​​and this time in Seville. The students participating in the gala "have the opportunity of their lives to see an event from within," as stressed by Efe a spokesman for the institution, which has already pre-selected students to choose ten and admits that the offer for the gala de Sevilla "may be that it is not well prepared" and "lend itself to misunderstandings". The complaint of the Association of the Press is based on the fact that the practices as "auxiliary of organization in practices" do not involve tasks related to the fields of Communication or journalism and also do not include tutors and are not paid either.

From CC OO, his secretary of Youth in Andalusia, Carlos García, also stresses that these practices are in reality "free labor", one of the reasons why they have launched the generic campaign "No more scholarships for work" and They have made a poster, on the occasion of the Goya, in which they allude to the "best prize in the EXPLOITATION category". The offer of unpaid and full-time internships is aimed at third or fourth year students of Communication, Protocol and Organization of Events, for people accustomed to teamwork, with "exquisite treatment to the public" and assuming that "the assistant can be selected for any function. " The "possible lines of work", says the offer, include the reception of authorities and artists, support for the press and media area, "assistance to VIPs", wardrobe, support in production and the management team and "other functions that the company consider appropriate. "

The spokesperson for ISEMCO, meanwhile, has assured that they will not change the offer and that students will not do "structural functions", and has emphasized that young people "kill" themselves for doing them. He also affirmed that these are compulsory curricular practices for which they are never charged and that they last a maximum of seven hours, and he has advanced that the 10 students will be accompanied by two teachers and will receive training on Thursday, January 31 and a master class the following day before to participate the 2 in the gala.

Complaints from artists

The Associació d'Actors i Directors Professionals of Catalonia (AADPC), the Confederation of Artists-Workers of the Show and the Association of Dance Professionals in the Community of Madrid have also criticized in a statement the offers of unpaid work of the 33 edition of the Goya Awards. The ceremony of the Goya is produced by El Terrat, of which Andreu Buenafuente is founder, who this year will lead the gala along with Silvia Abril.

As indicated in a statement by the organizations, as a result of the movement in the networks by the denunciation appeared of offers of unpaid work "in exchange for mention in credits" to participate in the gala of the Goya prizes produced by El Terrat, support the " fair claim of the rights of the performing artists ". "We want the Goya Gala to be an example of good practices for the artistic sector, for working conditions and for the salary conditions of a sector that is already sufficiently impoverished and fragile," they say. In his opinion, it is "an insult and a diminution of the professional capacity of all workers and the collective of artists when they are not willing to pay for their work".

Therefore, claim that an entity such as the Film Academy is "an example of good practice, in defense of dance artists and those of all the performing and audiovisual arts, strongly rejecting this type of behavior, which undermine the dignity of the workers, violate the current labor regulations and suppose a fraud to the Social Security ". Thus, they claim that the sponsoring entities, both public (RTVE, NODO Sevilla, ICAA, AECID, Comunidad de Madrid) and law management entities (Fundación AISGE, Fundación SGAE, EGEDA) and also private entities, which demand as much the Academy of Cinema as of any subcontracted company, "compliance with current labor legislation and an ethical investment of its financial aid".

On the other hand, sources from El Terrat, responsible for the production of this edition, have defended in Europa Press statements their "maximum professionalism and commitment". As noted, it is a gala of "enormous complexity" in which professionals are "hired and properly remunerated", but the "nature of the event" also has a number of people who collaborate "in a timely manner" and whose participation is framed in "disinterested participations".

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