Cristina Castaño and María Pedraza: "Alex González has given 'Toy Boy' a new look"


María Pedraza and Cristina Castaño in the second season of 'Toy boy'.

The boys from 'Toy boy' They continue dancing in Atresplayer Premium, which premieres this Sunday a new episode of its second season. In these installments, María Pedraza and Cristina Castaño They return to interpret Triana and Macarena in these new chapters in which they will try, respectively, to recover from the wounds of the 'El inferno' bomb and detoxify in a clinic from their addiction to sex after losing everything. YOTELE talks to the actresses about the second season of Plano a Plano fiction.

What will your characters have in store for this second season of 'Toy boy'? María Pedraza: Triana for me this season is like a blank canvas. He has been a character that has undergone a radical change since the Inferno accident. She realizes who she wants to be and the respect she wants to have for herself. Unfortunately he wants to remove Hugo Beltrán from his life. It will happen to have a lot of power.

Cristina Castano: Macarena in the first season loses everything. He loses his son and his family business. She begins the second season with a feeling of responsibility and guilt towards herself. All this has led him to enter, voluntarily, in a place of addictions to treat his sex. There is a very great transformation of Macarena and a desire to recover what is hers.

What are the main changes between the previous season and this one?: One of the most important changes is the depth of the characters, who take more risks than in the previous one.

How has the relationship been with the new additions to the series?: Personally, the incorporation of Álex González touches me a lot, he is with whom I share almost all my plots. For me it has been a pleasure to deal with him, he is a humble and wonderful person. Its incorporation has given a new air to the series and I even believe that all productions must include new additions.

MP: I have had much more contact in the series with Federica than with Álex Gonzalez. I have had a great time with them, I think they have been the engine that makes the stories of the characters of the first season stir.

How do you deal with the most erotic scenes? CC: For me they are the most complicated sequences because they not only talk about nudity, but also desire and passion. In my case, I have to interpret several scenes with Álex González. It has not cost me because it is a love, and the script is very well written. Macarena expresses herself a lot through sex. The first time you shoot a scene of these characteristics is in which I might feel a bit uncomfortable, but once the first one has passed, the rest of them come out alone.

MP: When I started in this profession I was 19 years old and this type of scenes it is true that they cost a little more, but now, in this case with Jesus I have a very beautiful relationship, even outside of fiction. I trust my partner and I feel very comfortable.

What are the main changes between the previous season and this one?: One of the most important changes is the depth of the characters, who take more risks than in the previous one.

How has the relationship with the new additions to the series been?: Personally, the incorporation of Álex González touches me a lot, he is with whom I share almost all my plots. For me it has been a pleasure to deal with him, he is a humble and wonderful person. Its incorporation has given a new air to the series and I even believe that all productions must include new additions.

MP: I have had much more contact in the series with Federica than with Álex Gonzalez. I have had a great time with them, I think they have been the engine that makes the stories of the characters of the first season stir.

How do you deal with the most erotic scenes? CC: For me they are the most complicated sequences because they not only talk about nudity, but also desire and passion. In my case, I have to interpret several scenes with Álex González. It has not cost me because it is a love, and the script is very well written. Macarena expresses herself a lot through sex. The first time you shoot a scene of these characteristics is in which I could get to feel a bit uncomfortable, but once the first one has passed, the rest already come out alone.

MP: When I started in this profession I was 19 years old and this type of scenes it is true that they cost a little more, but now, in this case with Jesus I have a very beautiful relationship, even outside of fiction. I trust my partner and I feel very comfortable.

What was the most difficult moment for you when shooting? MP: For me it was the moment of the stay in the hospital. I come from a project where I felt like I had emptied myself because it was so emotional. With the character of Triana I have regained my emotion. It was difficult but satisfying at the same time.

How did you experience the moment when the series was exhibited on the Netflix platform? CC: It was amazing. It was in the first days of confinement and we did not think it was real, our followers began to rise a lot on social networks.

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