Ducks generate the hormone of happiness. In the gardens of Prepa 4 in Guadalajara, several ducks and a goose walk through the grass or bathe in the pool. Students talk to them, they know them perfectly and that contact between the animal kingdom and the adolescent kingdom, they explain, is going well for self-esteem (of the students, it is understood). It is no small thing in that tormented age to walk with oneself. Today is a special day in this educational center that every year launches a cohort of boys to the university. The International Book Fair, that endless intellectual train that runs through the capital of Jalisco for 13 days, also to greet the students. Today visit the Prepa 4 the poet Coral Bracho. Poetry and adolescence is perhaps better binomial than ducks and adolescence, as will now be seen.
Coral Bracho It's a little bird that smiles endlessly. Fragile (it seems) and small, get out of the car with a printed shirt and a classic cardigan, dark, almost the disinterested outfit of a lay nun. The black pants are also wide. Everything is baggy against the thinness of your body. On the way to the educational center, his bamboo fingers have been delicately marking the pages in the volume of his complete poetry, which Era edits, to read to the students selected verses. As soon as she has set foot in the enclosure, the students receive her with a flower, surround her and can hardly be seen. It slips between hugs.
The first lesson of the guest poet will come in his presentation, a biography that contains some error: "There are things on the Internet that are not correct," he tells them. Coral Bracho (Mexico City, 1951), is a laureate poet whose fame has failed to change her character. It is difficult, perhaps impossible for someone not to flatter her to mention it: all sweetness. Just take a step without apologizing or rehearsing a formula to make the opposite feel better. He is a national poetry prize Aguascalientes (1981) and received the prestigious Xavier Villaurrutia in 2003; Jaime Sabines-Gatien Lapointe 2011 is an international poetry prize and the same year he won the Zacatecas.
The Coral teacher takes care today not to contradict the students at any other time, all her words are a positive stimulus, an essential motivation for the students to participate. After all, he informs them, poetry has the advantage of evoking different images, causing diverse impressions and all of them are valid. Any interpretation of the students will be correct. Will add. The author of Fleeting skin fish He started as a teacher in Mexico City when he was very young. You already have it forgotten. Today you are surprised by the many workshops available to students in this High School.
In the living room there is silence now to listen to the author's shy voice reciting poems that traced those same bamboo fingers (vegetable steel) with which she can whip political power or remember her mother cornered by the Alzheimer's: woman so bright that suddenly she doesn't know what a bird is, ”he tells the students, standing in front of them. His words are a balm for adolescence because he plays several keys that move feelings at that age: freedom, self control, sadness in abundance or ephemeral happiness, the intensity of living, changing realities. "All of that is writing," he tells them. And they know it, because they have already tried to fight loneliness with the pen, fear with verses. They tell it in the talk and she encourages them to continue doing it.
The students insist on the bleak parts of existence, on bad days, sad nights, fogged glasses. But they cannot bring down the poet's smile: for each closed door Coral Bracho opens a window: there will be good days and storms that will leave clear skies. Teenagers want to believe that it will be. As they believe that ducks "generate the hormone of happiness."
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