June 14, 2021

Christopher Nolan: a director obsessed with time and dreams | Culture

Christopher Nolan: a director obsessed with time and dreams | Culture

Christopher Nolan likes to tear down the concept of time and analyze the world of dreams. In 2010 he premiered Origin, one of his most acclaimed titles. "I think a lot of what's there comes from my days at the University. We lived in a college and we paid for breakfast. What I did was put the alarm clock, get up, go eat and go back to bed. And in that state of sleep that was between ten in the morning and one at noon, you could have lucid dreams, be aware of dreaming and manipulate the dream ".

A decade before, in the year 2000, he had surprised the world with a feature film in which he studied the fragility of memory, and in which he challenged the classic narrative structures. Memento, a story based on a short written by his brother Jonathan, began at the end and, little by little, the viewer discovered what was the beginning of the whole plot. "One day it occurred to me that if you told the story with the chronology upside down, the information would be denied to the public. The spectators would not know what happened, just as the protagonist does not know either. "

Christopher Nolan will be tomorrow, Saturday, October 27, the protagonist of a new edition of A day in pictures, the interview program produced by the British Academy of Film and Television (BAFTA) and which in Spain exclusively broadcasts the TCM television channel.

Nolan was born in London on July 30, 1970. At age seven he was already taking his father's Super 8 camera to shoot small movies with his toys. As a child, remember the impact that Star Wars. "I was seven years old and I think I went to see her twelve times at the cinema. I remember when it was released The Empire Strikes Back, I asked my father to take me to see her and he said: 'I have given enough money to George Lucas. I do not give him more. '

He studied English Literature at the University College of London while doing his first short films. He made his debut as director in 1998 with Following, a film of just over an hour, shot in black and white and that had a budget of about $ 6,000.

His trilogy about Batman (Batman Begins, The dark knight Y The Dark Knight Rises) showed a more human and somber dimension of the bat man and also of his mortal enemies, like the Joker who played the ill-fated Heath Ledger. "Seeing him work, how he shaped his character, his way of speaking … I remember the reaction of the team the first time he used that voice. You could feel it. I was doing something special, "he recalls in this interview at TCM.

At the end of the talk, moderated by journalist Edith Bowman, viewers will be able to see Interstellar, the science fiction film starring Matthew McConaughey, Anne Hathaway and Jessica Chastain, which in 2015 was a candidate for five oscars and that finally won the best special effects.

Nolan remembers the technical challenge of the making of this feature film. "It was a project that started thanks to the executive producer, Kip Thorne. Kip is a brilliant physicist and he had all these equations about gravity and black holes. We had the graphics machines and my team could take these equations and spend months converting them and seeing what the mathematics could give us, which goes beyond what anyone would design. "

Christopher Nolan is often compared to Stanley Kubrick for his obsessive pursuit of perfectionism. Interstellar has, in fact, many points in common with 2001: a space odyssey. He himself recognizes that he is an inveterate film buff, a filmmaker who does not give up on offering the public a "great show", but who seeks rigor and transmits daring and complex ideas, and philosophical concepts about the structure of the passage of time and the reality that hides in the depth of dreams.


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