Eduardo Chillida (San Sebastián, 1924-2002) will be the unique protagonist of the reopening of the Chillida-Leku museum, scheduled for next April 17 with an anthological exhibition that will include sculptures that the most universal Basque artist created between the end of the 40s and the year 2000. The exhibition will gather works in iron, granite, plaster and paper that reflect the creative development of the artist, the use of materials and the evolution of his ideas throughout his career.
Eduardo Chillida. Echoes It will be the first exhibition of the new stage that starts Chillida-Leku after remaining closed to the public since 2011. The exhibition space located in Hernani (Gipuzkoa), which Chillida and his wife Pilar Belzunce founded in 2000 around the Zabalaga farmhouse (from the 16th century), reopens its doors with works "rarely exhibited" and that come from loans made by museums, institutions and private collections, as reported by the family in a statement.
Curated by Ignacio Chillida and the museum's research team, the exhibition will include significant series such as Gravitations (sculptures on paper where relief and emptiness are especially important) and the Lurras (pieces made with chamotte earth). In addition to the pieces from the succession of Eduardo Chillida, will be shown others received from institutions, such as iron sculptures Desirous (1954), from La Caixa Foundation, and From the dark plane (1956), which the ICO Foundation has in deposit at the Reina Sofía, in addition to several outstanding pieces such as Trembling irons (1957), Anvil of dreams VII (1959) or Looking for light III (1997).
The upper rooms of the Zabalaga farmhouse will trace a route dedicated to the public sculpture of the author, whose monumental work is now distributed in more than 40 cities. The focus of this part of the exhibition will focus especially on sculpture Wind Comb XV, located in San Sebastian, which will soon be declared as a cultural asset with the category of monumental group, the previous step for the City Council to request UNESCO his declaration as a World Heritage Site.
To contextualize the works, the exhibition will also include important archival material that includes photographs, original manuscripts, correspondence or catalogs of exhibitions from the early years of Chillida's artistic career, all belonging to his personal archive, permanently preserved in the museum.
The reopening of Chillida-Leku, which has been possible after the agreement that the artist's family signed in November 2017 with the Swiss gallery Hauser & Wirth, you will arrive to condition the central building of the museum, that conserves the same aspect and structure, but has improved its illumination and accessibility.
The museum will offer visitors a cafeteria service, Lurra, directed by chef Fede Pacha, which has been designed to serve "seasonal local products and respectful with the environment". In addition, the pavilion will also house the museum store, with "a careful selection of art books with a strong focus on the work of Eduardo Chillida, as well as new specialized publications that are currently in the process of editing."
The architect Luis Paplace, in collaboration with Jon Essery Chillida, grandson of the sculptor, is commissioned to supervise the project, which has the contribution of the Dutch landscape painter Piet Oudolf, pioneer of the movement "New Perennial" based on the designs of gardens under premises ecological