The brothers Maria Luisa and Juan Manuel Maíllo, by chance, have rediscovered the your parents' wedding in one of the 80 photographs that make up the exposition "The feminine seams of the fashion of Spain: 1930-2018", that combines photojournalism and fashion of Spain, created by the Agency EFE and ACME.
He was watching television when suddenly, an image appeared in which he thought he saw his parents on their wedding day, he paid more attention and "I found out that this photo was part of an exhibition", he explains. EFE Juan Manuel Maíllo how 77 years later He rediscovered the wedding of his parents, Ángel Custodio Maíllo and Gloria Álvarez de la Braña, of whom only his sister and he had a small and worn photograph.
To make sure it was his parents' wedding, a few days later he visited the exhibition and checked "in situ" that on one of the walls of room number six of Madrid Museum of Decorative Arts hung the snapshot of their parents' wedding, titled "The bride in black", Dated in 1942, and signed by Juan Vidal, whose photographic archive hoards EFE.
At that time, Juan Manuel Maíllo, quickly, called his sister, Maria Luisa, and told him, who "very excited" was also to see the exhibition and alerted his family.
"Indeed, they were my parents on their wedding day at the Church of Los Angeles in Madrid," clarifies Maria Luisa, who recalls that it was May 18, 1942, while pointing out the exposed coral image, "it is endearing, it encloses Much love, my parents celebrated their golden wedding, they were married for 67 years, they were very happy ".
In photography, in dialogue with the nuptial design of Maya Hansen, her own wedding dress, which she made in black and white, using the canons of the era of photography, are the newlyweds together with two of the three sisters of the bride and several friends, now deceased, who it brings forth the emotion of the Maíllo brothers.
Indeed, they were my parents on their wedding day at the Church of Los Angeles in Madrid "
After consulting more than 25,000 photographs, the curators of the exhibition, Lourdes Álvarez Esmorís, Director of Communication of EFE and Pepa Bueno, executive director of the Association of Fashion Creators of Spain (ACME) chose this image as a reflection of the customs of society Spanish and the evolution of women.
Precisely, one of the Thematic axes of the exhibition, open until next April 28, is the wedding dress, where the photo of the Maíllo couple is located, "my mother wore a short black dress, a headdress with veil of hairnet and a showy bouquet of white coves", explains María Luisa .
A trend that caught the attention of Clara, 9 years old, great-granddaughter of the protagonist of the photo. "I explained to my granddaughter that it was the fashion of that time, decade of the 40, a difficult time after the Civil War ", explains María Luisa Maíllo. A spontaneous image that seals the fashion of the time, under the gaze of the photojournalist, without the artifice that usually conceals current fashion photography.
As a curiosity, next to the newlyweds, the tailor of the suit of the groom, "Mr. Mato", personal friend of the newly married, owner of the Matos Hermanos tailor shop, located in the vicinity of the Gran Vía for decades. An endearing story that shows that the exhibition, with 80 images, 25 designs and jewels of Spanish creators is alive, and that the memory returns to the present, as in the cases of other photographs that make up "The feminine seams of fashion of Spain: 1930-2018 ".
Since its inauguration, on January 22, three of his photographs have returned to the news. The news of the death of Elio Berhanyer, on January 24, brought to the present the image in which the designer appears with the Countess of Montarco and a group of models shortly before boarding the plane bound for Caracas in 1972.
The same thing happened with a photograph of Paloma Cela, deceased on March 30, one of the first models of swimsuits, in which appears with a swimsuit designed by Asunción Bastida in 1962.
On March 29, it was fifty years since the last victory of Spain in Eurovision, the one of Salome in 1969, an occasion that has served to rescue the mythical image in which the famous singer appears with a Pertegaz monkey weighing 14 kilos, together with Laura Valenzuela and Massiel, a photograph that is currently topical.
Among the 80 images, highlights the recently deceased designer Elio Berhanyer, Paloma Cela and Salomé