June 18, 2021

Brazil maps the country’s “utopias” in Venice for a better coexistence



Venice (Italy), May 21 (EFE) .- Brazil maps the “utopias” that exist in the country to propose a better coexistence in the future, with its proposal “Utopias of common life”, which is exhibited at the XVII Biennial of Architecture of Venice.

The project, curated by the São Paulo Biennial Foundation, attempts to respond to this edition’s theme “How Will We Live Together?” (“How will we live together?”) With an immense map, from the Guarani world view of a Land without Evil to the present day.

“Nobody knows what the world will be like in 50 years, but it will be different. Brazilians have the opportunity to build the Brazil they want” is the phrase that welcomes visitors to this space, located in the Venetian gardens.

The installation consists of two rooms: a first, smaller, houses the section “Futures of the past” and is composed of a visual project by the artist Luiza Baldan on the Pedregulho housing complex, in the north of Rio de Janeiro, one of the largest social housing developments of the 1940s.

The photographer Gustavo Minas also presents with several color photographs what daily life is like on the platform of the Brasilia Bus Station (1957), designed by Lucio Costa and built at the intersection of the two axes that constitute the pilot plan of the federal capital of Brazil.

A second, larger room houses “Futures of the Present” and shows two videos that utopianly reflect the occupation of contemporary metropolises.

The first is by directors Aiano Bemfica, Cris Araújo and Edinho Vieira and looks at the possibilities of reappropriation of buildings in the central neighborhoods of large metropolises, while the second is by Amir Admoni and poetically interprets what the appropriation of rivers and rivers would be like. its banks.

The Venice Architecture Biennale will open its doors to the public from May 22 to November 21, with strict security measures and capacity to avoid infections due to the coronavirus pandemic.

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