'Black Monday': Shoulder pads, cocaine and stock market crashes | TV

'Black Monday': Shoulder pads, cocaine and stock market crashes | TV



In the filming of Black Monday, the new series that Showtime has released this week (in Spain in Movistar +), the poor actors had to snort so much milk powder for so many scenes in which their characters, stock market agents of the eighties, consumed cocaine that the producers came to ask them if they had any type of allergy to lactose. In the usual small doses of film there would be no problems, but in these amounts could be harmful. Which says enough of the tone, excessive and tragicomic, with which the producers Seth Rogen and Evan Goldberg (The party of the sausages) give this series about the 1987 financial crisisthe worst that the stock market had suffered until the time-, and the three imaginary louts that provoked it.

To one of them, Maurice Mo Monroe, gives him life Don Cheadle, an actor already accustomed to big film projects and to appear in the very expensive films of Marvel; In fact, I did not intend to return to television. It came from doing five seasons of House of lies and won a Golden Globe by them. "But the eighties was a time of such excesses, one was so politically incorrect, from which we could touch so much fiber; They offered me a world so funny and so open to the game that I could not help but say, 'OK, here I am. I have returned, "admits the actor for EL PAÍS.

He has the other protagonists by his side, Andrew Rannells (Girls) and Regina Hall (Ally McBeal). Together, they form a trio of inept and small agents, of those who will find a place in the history books, or those specialized in economics. And surely not in the many movies about the inordinate greed of Wall Street. "I would tell you that they are losers. Your company is not among the top ten in the market. But that makes them more dangerous. They are less orthodox, more creative, "describes Rannells. "No one expects anything from them, which fuels their irrationality," adds Cheadle.

That they are fictional characters does not take away from their surroundings. Everything is studied (and exaggerated), from cocaine to shoulder pads. "I learned that you do not have to snort cocaine through both nostrils," Hall warns, not without a laugh before. Another challenge: to negotiate the complicated designs of the eighties. "Less the stockings that were worn, perfect to disguise cellulite," admits the actress. Cheadle justifies the look in tracksuits and sports shoes as a hallmark of his character, "ready to throw a door down or run to run chased by someone in a suit."

They are directed by two of the most restless names in Hollywood. Seth Rogen and Evan Goldberg are old acquaintances of the films of Judd Appatow, like Revelry to the end, Virgin to the 40, Supersalidos or Supersalidos: Rogen in front of the cameras and Goldberg like producer. Now the two focus on moving (a lot) the camera. "They have very different styles," says Cheadle. "Seth is amazing with the camera. And Evan is more successful with the interpretation notes, "says Rannells. "What we tell is quite true. Absurd but true. And in some way we can continue to see it. The volatility of the markets. The few reasons to make decisions. It is true that society has evolved. But he has also backed down. It is the society of today seen with the prism of the eighties. A series that tries to be fun even if it deals with a most serious topic, "the interpreter concludes.

The musical hell of those who hate the eighties

Along with cocaine and shoulder pads, the other great brand of the eighties is music, and the series uses it cheerfully for its portrait. "Madonna is the one that excels," Cheadle announces. Hall joins the response by reciting in one stroke: "But there are Spandau Ballet, WHAM with George Michael, Loose Ends, Duran Duran, Simple Minds, The Bangles". To put order in this musical flood Cheadle counted on the advice of Chuck D, rapper and producer, who prepared a list of musical cuts that fed the filming, the characters and even the scripts. "I gave it to the writers to listen to while they wrote," he explains.

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