Belén Rueda: “It is not necessary to be a mother to be a complete woman”



Belén Rueda and Aida Folch continue to live an intense hospital life in the third season of ‘Mothers. Love and life’, now available in Amazon Prime Video. They will be the last episodes of the series in which the protagonist of ‘The Orphanage’ appears, and she will undoubtedly remember them with special affection: in one chapter she coincides on screen with her daughter, Belén Écija, who will join the main cast in the fourth delivery in the role of a new doctor from Los Arcos.

Dr. Olivia Zabala, Aida’s character, has always been angry with the world. And now, that she is completely stressed by her recent motherhood and the work-family balance, is when she smiles the most.

-Aida Folch: Yes, in the second season we already saw that the pregnancy hormones made her be more human. And now that she is a mother, we see her more emotional and committed.

We also see Marian, the character of Belén, in another situation: she has gone from being the mother who plagued Dr. Zabala to helping as a volunteer at the hospital, and now other parents reproach her for her behavior.

Belén Rueda: Marian’s evolution in these two seasons has been to discover herself. Now that her daughter has gone to live abroad and that her mother is gone, because the covid took her, she has a moment of downfall. But she is a fighter woman and she says: I believe that all the experience I have had in life I can turn into volunteering. What happens is that he has an excessive character and he gets very involved and in the end he gets into a family that has its own problems.

Marian has always been scolded that she was too perfect.

Belén Rueda: It’s funny, because they put a poster on you and it seems that you have to keep it all your life, and it is not like that. She seeks perfection by a path that is not suitable for the people she loves and that generates more problems than solutions. I, like Bethlehem, am against labels and perfection. Because being perfect is what society tells you to be, but you have to search within yourself to know what makes you happy. Only then will you make others happy.

In this series motherhood and the sacrifices that are made for her are very present. Do you think it is idealized?

Aida Folch: I am at the age where all my friends talk about it. It may be … The truth is that there has been a total paradigm shift about motherhood. For example, natural and home childbirth is now very fashionable. In the case of the series we tell what obstetric violence is. It is a very delicate plot that I think we have treated with respect, raising the moral dilemma through Olivia, of whether she should help her friend or the hospital where she works. This plot will make us think about how we carry out deliveries in our hospitals.

Belén Rueda: I believe that if motherhood were not idealized, we would not have children. But idealizing something does not mean that you live in the worlds of Yupi. There is a time in your life when it makes sense to idealize things and then come to reality. And there has to be a moment of coupling one with the other. I am a mother and I have had wonderful moments and others very hard. That’s life. But if you say it in case it is necessary to be a mother to be a complete woman, my answer is no.

The series has been losing several of its protagonists. Could I survive without Marian and Olivia?

Belén Rueda: The ideal of this series is that there are families that enter, others that leave, others that stay … In fact, I will not be there in the fourth season. In this, for example, something very interesting is introduced: foster parents.

That foster parenting plot addresses the issue of adolescent mental health, something they also dealt with with Elsa’s character anorexia or Andy’s problems. Are there series that reflect this problem missing?

Belén Rueda: Now we are having a ‘boom’ of series that focus a lot on the crazy things that young people can do and it seems that things are being normalized that I think should not be normalized. But I think mental illness is treated with great delicacy, because in ‘Mothers’ we have many types of adolescents who come from very different family, social and economic situations that, nevertheless, come together.

What do you mean when you say that there are series that normalize things that should not be normalized?

Belén Rueda: The good thing about ‘Mothers’ is that things are always hovering over adolescents that in theory would be adults or our grandparents, such as life and death. With which it goes a little more to the essential things: love, company, companionship … On the other hand, in other series it is more frivolized about the fact that young people have to do whatever they want. And yes, you have to do what you think, but you live in a society.

They think that Mediaset, which also broadcasts ‘Mothers’, have you treated her well? Because he has relegated it to the beat and has interrupted the broadcast.

Aida Folch: Mediaset España has given us the opportunity to do this series. It’s theirs, we’re at the Picasso Studios shooting … They know how they have to program it and what they have to do. That totally escapes our work.

Belén Rueda: There is no formula to say: here it goes well and here it doesn’t. But come on, it has been Mediaset that has bet on the series. Although it is true that perhaps it needs that, at a given moment, you choose the moment to see it, because it is a series of characters in which emotions are discussed and the public has to empathize with them.

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