Before the magic | Culture



The world that Walt Disney created in 1923 seemed childish, dedicated exclusively to making children laugh, but it has turned out to be a magical universe of feelings and characters that not only concerns children. Their stories are full of curiosities, details and references evenings that the most fans love to discover in the movies. Reaching that complexity in the expression that times a random issue; others, meditated. The directors and animators of Disney and Pixar reveal some of these issues in the collection The art of Disney-Pixar.

SA monsters. This film required two major work lights. The first was dedicated to the making of monsters and their world. How to create characters that were supposed to be scary but that had to quickly drift into adorable ones? The libraries and the children themselves were some of the sources of documentation of the animators. Some characters flipped out, as shown in the book's sketches The art of Monsters S.A., others were taking shape and especially color little by little. The other great effort was the human protagonist: Boo. This character took a long time to define. She was raised as a spoiled little girl, a brute, a misfortune, an eight-year-old boy ... The director of the film, Pete Docter, says that they needed her to be "charming and attractive", because they hoped that "it is difficult to beat a girl two years on that. "

ReverseDocter also signs this film, one of his greatest professional challenges. Nothing like it had been done in the cinema, so raising the project was not easy. How to explain the functioning of the mind in a simple way? How to make that interesting and attractive? What global story would I tell? The design of the interior of the mind was a challenge. It started with simple abstract drawings, almost doodles. The cartoonists threw on paper what suggested they think about mental functions, until little by little they were finding a coherent structure. Long-term memory, for example, was organized in a descending column towards what they called Headquarters, with agreements that fade into the bottom.

The Incredibles.Director BradBird presented the project at a personal time that many years later proved to be crucial for this somewhat dysfunctional superhero story and for his individual characteristics. "The first time that idea came to my mind that idea was more than a decade ago, when I dedicated myself to present future projects for all the Hollywood studios, without materializing any, ”explained Bird. The director came to suffer a ticket office failure with lacinta The steel giant and, in addition, his wife and he, who already had two children, were expecting a third. As the director has summed up, the realization of the family life of The Incredibles and his adventures was the result of "personal anxiety" that was produced by family, work, professional expectations and "all those special gifts we receive every day, but we do not always know how to appreciate."

Toy Story 4The actress Annie Potts, who gives voice to the pastor of Estasaga, initially discarded this work. When the project came to his hands, 20 years ago, he felt overwhelmed by his professional commitments and also had two young children. It was one of them who put the tape that the company had sent him to assess the proposal. When he saw her, he changed his mind: "I pounced so hard on the phone that I almost tripped over the cable." Toy story It was the first fully animated film by computer, opening the digital door to the rest of the industry, and its four deliveries have been a success

VaianaThis film revolutionized the treatment that Disney and Pixar films give to the cultures in which they are inspired to compose some of their stories.Vaiana It is situated in Polynesia, a very stereotyped area in the media. The film team traveled to different islands to learn about its landscapes, traditions and people. They formed a group of experts under the name of Oceanic Story Trust, which oversaw the adaptation of this culture to the film. This involved remaking dozens of sketches in which the animators had already been working.

Frozen Anna and Elsa, the protagonist sisters, wear eye-catching dresses inspired by de-oratory motives of the Norwegian people. Kristoff, with a seemingly less expensive outfit, took a good part of the weight of the job. His clothes were the result of research work on the Sami people, a former indigenous group that lives in the Arctic region.



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