Eva Amaral and Juan Aguirre will return in 2019 to the current Spanish music with the album "more positive and less cryptic" of his career. The eighth work in study of Amaral will also be characterized by the presence of many more "electronic elements" than are common in the work of the Zaragoza duo, as Aguirre advanced during a workshop on cultural journalism held this December in Bogota Colombia).
The singer and the guitarist have been "cloistered" for several months in their Madrid studio preparing their next album, still without title and called to become one of the most anticipated novelties of Spanish pop for the new season. Four years after its predecessor, the grave and dark Nocturnal (2015), the work that Eva and Juan complete assumes "a vision of the most colorful reality" and even allows "to overcome that certain cryptic spirit" that in the literary part has characterized the tandem. "That darkness is a characteristic that we sometimes have in northern Spain," said Juan Aguirre, "but this time we want to be more clear and colloquial."
The authors of hymns like Without you I am nothing, Revolution or How to speak they had decided to leave the media circulation to concentrate on the preparation of this work, but they made one exception for the cultural journalism workshop How to tell the culture with words, promoted in the Colombian capital by the Embassy of Spain in Colombia and the cultural magazine Arcadia. "We feel comfortable among journalists because, even before musicians, we are amateurs, we have grown up listening to pirate broadcasters and we have always seen journalism as an exciting and somewhat idealized profession from the outside," acknowledged Aguirre.
Throughout a 40-minute videoconference, the guitarist and composer of Amaral (Eva suffered a last-minute indisposition) answered the questions of the 15 journalists under 30 enrolled in the workshop. Aguirre admitted that the duo "practices a method of chaotic composition", in which the one "often rewrites the lyrics and the guitars of the other", but that this heterodox formula allows them "to be something additional, more than the sum of two people". "Eva could make solo albums," his partner said. "I feel real admiration for her, because she is a very talented person in both music and visual arts."
The students did not restrain their curiosity about the relationship of a successful group like Amaral with the music press and the specialized critics. "Our maxim in this respect, although it is not always easy to comply with it, is that good criticisms are not appreciated and bad criticisms are not discussed," said Juan Aguirre. The Zaragoza musician confessed that on occasion he had felt "overwhelmed" by certain praise, "and in those cases you have to put on, as soon as you get home, an authentically mythical album, so that it does not go to your head …". And he defended the work of criticism as "necessary", despite the "intrusions". "We have seen critics in concerts sorry for having to write badly about the group, but honest criticism must be like that," he summarized.
The dog after the bone
With regard to the creative process, the co-founder of Amaral resorted to a curious canine metaphor. "Writing songs is the closest thing to a dog that chases a bone and does not always find it. Some days, even, you can not sleep and at six in the morning you get up and grab a guitar in a state of excitement, because you think you have found something. When something rings in your head, that is, like the dog with the bone, the only thing that matters … ". And the new album will sound, incidentally, percussion and drum elements infrequent, even with non-Western percussions for one of the cuts.
Juan Aguirre revealed, finally, that the group will recover for its next tour the theme Mousetrap, released digitally in 2014 and the most rabid, critical and politically committed piece that the duo has ever published. "If we do not include it in Nocturnal it's because they did not fit all the songs, not because we regret it, "he clarified. "Mousetrap was born as a reaction to an avalanche of unfair policies against most citizens, it was like a piece of bread that has stuck in your throat and does not let you digest or breathe. And the lyrics include words, like ilk, that we like how they sound … ". The musician claimed the lyrics "that observe reality and are nourished by the global world that we have had to live", and recalled that Amaral has never renounced a social dimension of his work. "Our first single, Rosita, was inspired by a homeless girl we met near the art school where Eva studied, and we are talking about 1997, "he recalled.
In a country like Colombia, where it is impossible not to listen to reguetón at any time and in any corner of each city, it was inevitable that the students of the workshop How to tell the culture with words will end up asking Amaral for his opinion on this genre or the dancehall. And Juan Aguirre was much more interested in them than you would imagine. "The music of J Balvin, for example, includes a hypnotic component in its rhythmic part that I love. I listened to him Machica in a TVE program and I was amazed by that wave. With the rhythm of reggaeton it happens a bit like flamenco: you do not know where the strong part of each beat comes in and you do not understand it well, but it catches you. Some international classics, like Cheap thrills, from SIA, would be unimaginable without Latin America. "
Aguirre assumed that some letters reguetoneras "They are questionable and we do not like them", but warned that this defect "is not exclusive of this or that genre, because I do not like all the lyrics I listen to on rock albums". He praised the Puerto Rican Tego Calderón as his favorite artist of the guild and ended with a plea for diversity. "We have never had problems when listening to Brazilian, Panamanian, Puerto Rican or Buenos Aires music, just as we have collaborated with Chilean jipjoperos. I do not have any prejudice when listening to this or that rhythm, I do not want to be like the parents who came into the room to download the music to their children. I can not imagine a musician without music, and much less without diverse music ".