Francisca Aguirre (Paca, for yours) just went out for a walk. Attending the Press, at 88, is an arduous task. Poets are rarely approached by microphones, recorders. And with almost 9 decades on his shoulders, he can no longer explain the same thing: "What a life it was for us …! At birth in the year 30 … », he says. His daughter, Guadalupe Grande, also a poet, takes the witness to the phone: "His was a very battered generation of history for the moment that touched them. Women who were born between the year 25 and 40, were given the possibility with the Republic to have been doctors, engineers, and other professions, if the war and Franco had not frustrated those projects.
For Guadalupe, the fact that the National Prize for Literature falls on a woman and in addition to that generation, is a reason to congratulate. For the jury, which awarded her this prize worth 40,000 euros, her poetry is the "most Machadian" of her time. And Paca, in fact, always returns to Machado and always keeps it in mind: "He is the first among the literary gods. If I'm nervous, I read it for half an hour and I'm already like a rose ».
His verses are passed through the clean, honest sieve of the poet buried in Collioure. With "Ítaca", in 1971, the poetic voice of this Alicante woman emerged who has published about 10 poems and who has lived all her life on Alenza Street in Madrid, in the Chamberí neighborhood. There he moved after the death by garrote vil of his father, republican official and painter. «And since the year 40 is there. It is a completely unrenounceable place for her, you can not imagine outside this space that was her home, her refuge after exile and refuge for Latin Americans who made the reverse of the Spaniards, "explains Guadalupe.
A house with history
These four walls have been one of the fundamental enclaves of the poetry of the 50, because there shared a roof with Felix Grande until his death in 2014. It happens that both have won the National Prize for Poetry and the Letters . By Alenza has passed who is who of the Latin American lyric. "Those of my parents were two lives devoted entirely to the task of thinking, writing and communicating," says his daughter.
Now, Aguirre, who remembers "every day, how could it be otherwise", from the author of "The Rubáiyatas of Horacio Martín", lives, says his daughter, "a very modest day by day; At times he writes, he is always with his notebooks from here to there, with his readings. As a good part of the elderly are revisiting their loves, their childhood, their history, their readings … Sometimes I give things outside of that to read, but it is hard to retain. The next morning, he returns to his César Vallejo, to his Machado … ».
The poetry of a woman who started publishing late, at age 40, has little to do with the immediacy and fetishism of the youth of poetry grown in the heat of today's social networks. But for the jury, the bridge offered by Aguirre with the Machadian tradition is precisely one of its assets and attractions. For that reason and for "being his poetry between desolation and clairvoyance, lucidity and pain, whispering (more than saying) words located between consciousness and memory." The writer Olvido García Valdés has presided over a jury that had not awarded an author specially associated or dedicated to poetry for years. All in all, Francisca Aguirre is also the author of a book of short stories ("Que planche Rosa Luxemburgo") and another of memoirs entitled "Espejito, espejo".