"7 reasons to flee": a very black comedy

"7 reasons to flee": a very black comedy

An elderly couple sitting in the living room of their house looks impassively at the surrealist exit of an African immigrant from the television while trying by all means to get rid of him, ignoring the calls of attention that he exerts on them with his eyes. A neighbor opens the door at 3 o'clock in the morning after an unknown man knocks hastily at his door with an existential doubt over his head about what number goes after six. A prepared altar, some lovers about to make the big mistake of their lives and some guests anxious to know her answer are mixed in this other scenario (framed within a range of seven) that Kafkaesque presents us with one of the Catalan directors and scriptwriters with greater international projection, Esteve Soler, along with Gerard Quinto and David Torra in his new film "7 reasons to flee". An acid and absolutely corrosive film criticism in the form of small sketches that portrays the demons of a society that needs to be revised. Family, property, commitment, order, work, solidarity and progress. A whole amalgam of polemical and certainly questionable values ​​that have served to the Catalan to vertebrar the argumentative skeleton of the tape; "Somehow assigning a concept to each part was an idea that I had in mind from the beginning. Being able to make seven different fragments of ten minutes allowed us to make filming just a lot easier and also to have a series of production dynamics that were favorable to the end that the process ended up going as we wanted, "says Soler.

The broken mirror of society

After working as a playwright for such outstanding theater companies as "La fura dels Baus" or "Pere Faura", the director is quite enthusiastic about the advantages of working in both genres: "I think the theatrical conventions they can be applied in many ways in the cinema. In fact, some of my most favorite personal referents such as Michael Haneke or even Lars Von Trier have shown that these theatrical conventions can be used in favor in the cinema and in some way this film tries to be a small demonstration that we also know how to do it and that it's about something that we're interested in continuing to promote for the future. " Through the narration of a series of Machiavellian and incendiary stories, the filmmaker puts the focus on the fissures of a system he points to as responsible, while showing the most complicated edges of all those behaviors related to the human condition itself, thus forcing the viewer to ask questions that may not feel comfortable. To turn such a nonsense of social complaints into an effective and credible tool, Esteve Soler has had the privilege of surrounding herself with renowned actors and actresses who make up a bombproof campus. "Look, the truth is that we are very happy that a wonderful cast has joined us. We are aware that an opera prima does not usually have that level of actors and the truth is that practically in each case, at the moment we sent the script to one of those fabulous names such as Emma Suárez, Lola Dueñas, Sergi López, Nuria Gago, Álex Brendemühl or David Verdaguer, practically the answer was always affirmative. So it was very easy for those actors who have so many records and who know how to do everything very well to join us. It was a great luck ", sentence on an interpretive set that strengthens the foundations of a mirror film thought and conceived for a thing too necessary at this time; bother.


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